Pasadena Symphony

Live Chat with Composer-in-Residence Peter Boyer - April 16 at 3pm

April 15th, 2013

Experience a live talk with Pasadena Symphony’s Composer-in Residence Peter Boyer as he discusses the role of an orchestral composer. Audiences will also get a preview of Boyer’s Symphony No. 1, which will make its world premiere on Saturday, April 27 with the Pasadena Symphony.

This event will be a live broadcast of a talk held at Claremont Graduate University.

The commission of Peter Boyer’s Symphony No. 1 has been made possible through contributions by Trustees of Claremont Graduate University.

Click here to be taken to the live stream of the event on Tuesday, April 16 beginning at 3pm!

Pasadena Symphony Performs World Premiere of Peter Boyer’s Symphony No. 1

March 18th, 2013

The Pasadena Symphony will perform the highly anticipated world premiere of Grammy-nominated composer Peter Boyer’s Symphony No. 1 on Saturday April 27 in concerts at 2:00 and 8:00pm at Ambassador Auditorium. The concerts also feature superstar violinist Chee-Yun as soloist for the intensely passionate Tchaikovsky Violin Concerto under the baton of guest conductor Jose Luis Gomez.

Composer Peter Boyer is one of the most frequently performed American orchestral composers of his generation, with over 300 public performances of his works by more than 100 orchestras. Though Boyer’s compositional voice is his own, his musical language and symphonic style flow from the same wellspring of such iconic American composers as Aaron Copland, Leonard Bernstein, and John Williams.

Boyer’s Symphony No. 1 is dedicated to the memory of famed composer and conductor Leonard Bernstein, who had a profound influence on Boyer’s work. After accepting Boyer’s dedication, Leonard Bernstein’s daughter Jamie Bernstein wrote, “My brother Alexander, sister Nina and I are very touched that Peter Boyer has dedicated his Symphony No. 1 to our father. I know how deeply Peter relates to the music of Leonard Bernstein, as well as to the humanitarian spirit that infuses so many Bernstein compositions. It’s gratifying indeed to see our father’s influence touching succeeding generations, and continuing to make an impact on our world. We salute Peter, and wish his symphony well!”

“For any composer,” explained Boyer, “a commission for a first symphony is a special opportunity. While I’ve often been asked to compose works on historical subjects or to celebrate specific occasions, with this commission I’ve relished the great challenge of creating a purely musical symphonic work. I’ve long admired the Pasadena Symphony, whose musicians are my colleagues and friends. I’m grateful both to compose this work and to conduct this fine orchestra.” The commission of this new work has been made possible through contributions by Trustees of Claremont Graduate University.

Violinist Chee-Yun, who will perform Tchaikovsky’s indelible Violin Concerto, originally hails from Seoul, South Korea. She began performing professionally at the age of 13 and vaulted into an extraordinary career performing as soloist with countless major orchestras around the world and headlining national tours with the San Francisco Symphony and Japan’s NHK Symphony. The New York Times hailed her as “a talented instrumentalist, with the kind of high-gloss tone that pulls sensuously at the listener’s ear.”

In addition to the concerts on Saturday, April 27, the Pasadena Symphony and Pacific Asia Museum will host a party featuring Chee-Yun on Wednesday, April 24 from 6 – 8pm. Party passes for this event at Pacific Asia Museum are available through the Pasadena Symphony box office for $75 and include hors d’oeuvres, wine, gallery access, plus a ticket to hear Chee-Yun in concert with the Pasadena Symphony on Saturday, April 27.

Tickets to the final concert in the Pasadena Symphony’s 2012-13 Singpoli Classics Series at Ambassador Auditorium on Saturday, April 27 at 2:00pm and 8:00pm begin at $35 and may be purchased by visiting www.PasadenaSymphony-Pops.org, calling 626.793.7172 or onsite day of concert.

IF YOU GO:

  • What: Tchaikovsky’s Violin Concerto with the Pasadena Symphony
  • Guest Artists: Jose Luis Gomez, Conductor | Peter Boyer, Conductor and Composer-in-Residence | Chee-Yun, Violin
  • When: Saturday, April 27 at 2:00pm and 8:00pm
  • Where: Ambassador Auditorium; 131 St. John Ave, Pasadena, CA 91123
  • Cost: Tickets start at $35.00
  • Parking: Valet on Green Street, $10 general parking available adjacent to the theater in Maranatha parking lots.
  • Full Program: Boyer: Festivities | Tchaikovsky: Violin Concerto | Borodin: In the Steppes of Central Asia | Boyer: Symphony No. 1
  • Pre-Concert Conversation: Pasadena Symphony Association’s CEO Paul Jan Zdunek visits with Peter Boyer about the program, his musical journey and much more an hour before each concert (1 pm and again at 7 pm on stage at Ambassador Auditorium)

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ABOUT THE ARTISTS

About Chee-Yun

Violinist Chee-Yun’s flawless technique, dazzling tone and compelling artistry have enraptured audiences on five continents. Charming, charismatic and deeply passionate about her art, Chee-Yun continues to carve a unique place for herself in the ever-evolving world of classical music.

Winner of the 1989 Young Concert Artists International Auditions and the 1990 Avery Fisher Career Grant, Chee-Yun performs regularly with the world’s foremost orchestras, including the Philadelphia Orchestra, the London Philharmonic, and the Toronto, Houston, Seattle, Pittsburgh and National symphony orchestras. Additionally, she has appeared with the Atlanta Symphony, and the St. Paul Chamber Orchestra, and has performed with such distinguished conductors as Hans Graf, James DePriest, Jesus Lopez-Cobos, Michael Tilson Thomas, Krzysztof Penderecki, Neeme Järvi, Pinchas Zukerman, Manfred Honeck and Giancarlo Guerrero. Internationally, Chee-Yun has toured with the Haifa Symphony, the Hong Kong Philharmonic, Germany’s Braunschweig Orchestra and the MDR Radio Leipzig and performed with the St. Petersburg Camerata, the Bamberg Philharmonic, the Bilbao Symphony, the London Festival Orchestra, the Nagoya Philharmonic, and the KBS Symphony Orchestra. Her orchestral highlights include a concert with the Seoul Philharmonic conducted by Myung-Whun Chung that was broadcast on national network television, a benefit for UNESCO with the Orchestra of St. Lukes at Avery Fisher Hall, and her tours of the United States with the San Francisco Symphony (Michael Tilson Thomas conducting), and Japan with the NHK Symphony. Recent and upcoming engagements include return subscription weeks in Pittsburgh and Jacksonville, as well as the Colorado and Austin symphony orchestras and the National Philharmonic.

As a recitalist, Chee-Yun has performed in many major US cities including New York, Chicago, Washington, Los Angeles, San Francisco and Atlanta. Career highlights include appearances at the Kennedy Center’s “Salute to Slava” gala honoring Mstislav Rostropovich, the Mostly Mozart Festival’s tour to Japan, a performance with Michael Tilson Thomas in the inaugural season of Carnegie Hall’s Zankel Hall, and the US premiere of the Penderecki Sonata No. 2 with pianist Barry Douglas. Other recent highlights include recitals in St. Paul, Buffalo, Washington, DC, Omaha and Scottsdale, duo recitals with cellist Alisa Weilerstein and a performance at the American Ballet Theatre’s fall gala. Firmly committed to chamber music, Chee-Yun has toured with “Music from Marlboro” and appears frequently with Spoleto USA, a project she has been associated with since its inception. Additional chamber music appearances include the Ravinia, Aspen, Bravo! Vail Valley, La Jolla, Caramoor, Green Music, Santa Fe and Bridgewater festivals in the US, the Great Mountains Music Festival in South Korea, the Clandeboye Festival with Camerata Ireland in Northern Ireland, the Opera Theatre and Music Festival in Lucca, Italy, the Colmar Festival in France, the Beethoven and Penderecki festivals in Poland and the Kirishima Festival in Japan.

Chee-Yun has received exceptional acclaim as a recording artist since the release of her debut album of virtuoso encore pieces in 1993. Her recent recording of the Penderecki Violin Concerto No. 2 on Naxos was acclaimed as “an engrossing, masterly performance” (The Strad Magazine) and “a performance of staggering virtuosity and musicality” (American Record Guide). Her releases on the Denon label include Mendelssohn’s E Minor Violin Concerto, Vieuxtemps’ Violin Concerto No. 5, Lalo’s Symphonie Espagnole, and Saint-Saëns’ Violin Concerto No. 3, with the London Philharmonic under the direction of Maestro Lopez-Cobos, a disc of three French violin sonatas (Debussy, Saint-Saëns and Fauré), and the violin sonatas of Szymanowski and Franck. Her most recent Denon disc features the violin sonatas of Brahms and Strauss. Two compilation discs, Vocalise d’amour, and The Very Best of Chee-Yun, feature highlights of Chee-Yun’s earlier recordings. In 2007, Chee-Yun recorded the Beethoven Triple Concerto with Camerata Ireland, pianist Barry Douglas and cellist Andrés Diaz, for Satirino Records. In 2008, Decca/Korea released “Serenata Notturno,” an album of light classics that went platinum within six months of its release.

Chee-Yun has been heard frequently on National Public Radio’s Performance Today and on WQXR and WNYC radio in New York City. She has also been featured on KTV, a children’s program on the cable network CNBC, Garrison Keillor’s “A Prairie Home Companion”, on Public Radio International and numerous syndicated and local radio programs across the United States and abroad. She has appeared on PBS as a special guest on Victor Borge’s Then and Now 3, in a live broadcast at Spivey Hall in Atlanta concurrent with the Olympic Games, and on ESPN performing the theme for the X Games. In Fall 2009, she also appeared in an episode of HBO’s hit series, “Curb Your Enthusiasm.”

Chee-Yun’s first public performance at age 8 took place in her native Seoul after she won the Grand Prize of the Korean Times Competition. At 13, she came to the United States and was invited to perform the Vieuxtemps Concerto No. 5 in a Young People’s Concert with the New York Philharmonic. Two years later, she appeared as soloist with the New York String Orchestra under Alexander Schneider at Carnegie Hall and the Kennedy Center. In 1989, she won the Young Concert Artist’s international competition, and a year later became the recipient of the prestigious Avery Fisher Career Grant. In Korea, Chee-Yun studied with Nam Yun Kim. In the United States, she has worked with Dorothy DeLay, Hyo Kang, Daniel Phillips and Felix Galimir (chamber music) at The Juilliard School.

In addition to her active performance and recording schedule, Chee-Yun is a dedicated and enthusiastic educator. She gives master classes around the world and has held several teaching posts at notable music schools and universities. Her past faculty positions have included serving as the resident Starling Soloist and Adjunct Professor of Violin at the University of Cincinnati College-Conservatory of Music, and Visiting Professor of Music (Violin) at Indiana University School of Music. In August 2007, she was appointed Artist-in-Residence and Professor of Violin at Southern Methodist University in Dallas.

Chee-Yun plays the Stradivarius “Ex-Strauss” (Cremona, 1708), which is on loan through the generous efforts of the Samsung Foundation of Culture of Korea and the Stradivari Society of Chicago, Illinois.

About Peter Boyer

Peter Boyer is one of the most frequently performed American orchestral composers of his generation, with over 300 public performances of his works by more than 100 orchestras, and numerous national broadcasts in the U.S. and abroad. Conductor Keith Lockhart chose Boyer for the Boston Pops’ 125th anniversary commission honoring the legacy of John, Robert, and Ted Kennedy, The Dream Lives On: A Portrait of the Kennedy Brothers. Its premiere in 2010, narrated by Robert De Niro, Morgan Freeman, and Ed Harris, was attended by members of the Kennedy family, and received extensive national media attention. The Boston Pops also performed the work on their Fourth of July Fireworks Spectacular for an audience of over 750,000; gave it two separate telecasts; performed it at Tanglewood with narrator Alec Baldwin; and released its recording. Boyer’s major work Ellis Island: The Dream of America (2002) has received over 140 live performances by 60 orchestras, making it one of the most-performed American orchestral works of the last decade. His recording on the Naxos label was nominated for a Grammy Award for Best Classical Contemporary Composition.

In addition to his work for the concert hall, Boyer is active in the film and television music industry. He has contributed orchestrations to more than 20 film scores by top Hollywood composers, including Skyfall (composer Thomas Newman), The Amazing Spider-Man (composer James Horner), the Oscar-winning Up, Star Trek, Mission: Impossible III, John Carter, Super 8, Cars 2 (composer Michael Giacchino); and Dolphin Tale (composer Mark Isham). Boyer has twice arranged music for the Academy Awards, and composed music for The History Channel.

As conductor, Boyer has led such orchestras as the Brooklyn Philharmonic, Hartford Symphony, Rhode Island Philharmonic, and Richmond Symphony in concert; and the London Symphony Orchestra, Philharmonia Orchestra, and Los Angeles studio orchestras in recording sessions. Boyer holds the Helen M. Smith Chair in Music at Claremont Graduate University. He served as the Fort Worth Symphony Orchestra’s Composer-in-Residence in 2010-11, and is the Pasadena Symphony’s Composer-in-Residence this season.

About Jose Luis Gomez

The young Venezuelan-born, Spanish conductor José Luis Gomez was catapulted to international attention when he won First Prize at the International Sir Georg Solti Conductor’s Competition in Frankfurt in September 2010, securing a sensational and rare unanimous decision from the jury.

Gomez’s electrifying energy, talent and creativity earned him immediate acclaim from the Frankfurt Radio Symphony Orchestra where he was appointed to the position of Assistant Conductor, a post created especially for him by Paavo Jarvi and the orchestra directly upon the conclusion of the competition.

Gomez started his musical career as a violinist, and by the age of 11 he was Concertmaster of the Youth Orchestra of Zulia State – part of El Sistema de Orquestas Juveniles de Venezuela. He graduated in music and violin from the Manhattan School of Music in New York before embarking on a European orchestral career. Deciding to follow his dream to have more creative input and influence on musical direction he took conducting lessons from Lu Jia, Muhai Tang and John Nelson. After just six months of studying conducting he went on to win the Georg Solti competition.

Since then he has worked with the RTVE National Symphony Orchestra of Madrid, Houston Symphony Orchestra, National Arts Centre Orchestra of Ottawa, Hamburg Symphony, Basel Sinfonietta, Orchestra of Castille y Leon, Orquesta Sinfonica do Porto, Grand Rapids Symphony, Macao Symphony and the Orchestra 1813 Teatro Sociale di Como with whom he also led performances of Mozart’s Le Nozze di Figaro as part of the ASLCIO Opera Association throughout the region of Lombardia, Italy.

Symphonic highlights of the 12/13 season include debuts with Royal Liverpool Philharmonic, Colorado, Vancouver, Edmonton and Pasadena Symphony Orchestras as well as reinvitations to Orquesta Sinfonica de Castilla y Leon, Orquestra Sinfonica Brasileira and Elgin Symphony Orchestra. José will also conduct the Frankfurt Radio Symphony Orchestra in their New Year concert and several educational projects. Opera highlights include a full run of La Bohème at Frankfurt Opera and Rossini’s La Cenerentola at Stuttgart Opera, with a revival already planned in the following season. Future engagements will feature his debuts in Taiwan, Alabama and Winnipeg and will return to Weimar, Frankfurt and Stuttgart.

José Luis Gomez is the Principal Conductor of the orchestra of the Teatro Social di Como. He continues assisting Paavo Jarvi at Frankfurt Radio Symphony Orchestra, on tour in Europe, Asia and beyond.

James DePreist, 1936-2013

February 8th, 2013

The Pasadena Symphony is saddened to learn about James DePreist’s sudden passing. Our thoughts and prayers are with his wife Ginette, his family, and his friends and colleagues.

“It is with the heaviest of hearts that we mourn the passing of our dear friend and Artistic Advisor James DePreist.  Maestro DePreist, or Jimmy as he preferred to be called, was not only a consummate musician and trailblazing conductor, but also the most thoughtful, loving and centered human being who touched us all so deeply”, states Paul Jan Zdunek, Chief Executive Officer of the Pasadena Symphony Association, “It is fitting that we remember his life and spirit this weekend with the previously scheduled Symphony No. 4 of Gustav Mahler which ends with an ethereal movement describing ‘The Heavenly Life.’”

During his time in Pasadena, he was beloved in our community and made an enormous impact with everyone he encountered as our Artistic Advisor. DePreist made an indelible impact with his vision and artistic guidance. He was a great friend and his work with orchestras around the world will leave an unforgettable legacy. His was a giant in American music and a true national treasure.

Paul Jan Zdunek, CEO – Pasadena Symphony Association
Diane Rankin, President – Pasadena Symphony Association

Michael Stern replaces James DePreist to conduct the Pasadena Symphony April 28 at Ambassador Auditorium

April 9th, 2012

Pasadena, CA Pasadena Symphony Artistic Advisor James DePreist is recovering from recent and unanticipated heart bypass surgery and is unable to appear with the orchestra later this month as originally scheduled. American conductor Michael Stern will step in to conduct the Pasadena Symphony’s final concert of its Classics Season featuring Dvorak’s Symphony No. 8 and Strauss’ poignant Four Last Songs with Grammy Award-winning soprano Christine Brewer at Ambassador Auditorium on Saturday April 28 at 2pm & 8pm.

“We never know when life will take us on an unexpected journey,” comments Paul Jan Zdunek, Chief Executive Officer of the Pasadena Symphony Association. “Our thoughts are with Maestro DePreist and his wife Ginette during his recovery. We look forward to their visit to Pasadena in the very near future. Although not under these circumstances, we are pleased that Michael Stern was available to step in; he is a consummate musician who has successfully partnered with Christine Brewer before.”

Celebrated soprano Christine Brewer is regarded as one of the leading interpreters of Strauss’ works, and has performed the lead roles in his operas Ariadne auf Naxos and Die Frau ohne Schatten with the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, and more. A hallmark of her extensive discography is the critically acclaimed recording of Stauss’ Four Last Songs with Donald Runnicles and the Atlanta Symphony Orchestra. She has appeared with the Los Angeles Philharmonic in the leading roles of both the Tristan Project with Esa-Pekka Salonen and Turandot with Gustavo Dudamel.

She made her debut with LA Opera last month in a leading role of Benjamin Britton’s Albert Herring, earning a review from the Los Angeles Times describing her as a “galvanizing…force of nature!”

Conductor Michael Stern is in his seventh season as music director of the Kansas City Symphony. He is also the founding artistic director and principal conductor of The IRIS Orchestra in Tennessee. He has produced a string of recordings and acclaimed commissioned new works by American composers.

“[Michael] Stern has a dynamic stick technique that commands rather than coaxes. Attacks are sharp and aggressive. Rhythms are clean and propulsive. He knows his way to a climax… He is someone we should be seeing more of.” – Los Angeles Times

Stern has led orchestras worldwide including the London Symphony, London Philharmonic, Orchestre de Paris, Helsinki Philharmonic, Israel Philharmonic, Tokyo’s NHK Symphony, New York Philharmonic, Chicago Symphony, Cleveland Orchestra, the National Symphony in Washington, D.C. and more. He also appears regularly at the Aspen Music Festival and has served on the faculty of the American Academy of Conducting at Aspen.

April 28 marks the final concerts of the 2011-12 classics series and the Pasadena Symphony’s second season as the resident professional orchestra of the historic Ambassador Auditorium. Tickets to Brewer Sings Strauss on Saturday, April 28 at 2:00pm and 8:00pm begin at $35 and may be purchased by visiting PasadenaSymphony-Pops.org, calling 626.793.7172 or onsite on the day of the concert.

IF YOU GO:

  • What: Brewer Sings Strauss with the Pasadena Symphony
  • When: Saturday, April 28 at 2:00pm and 8:00pm
  • Where: Ambassador Auditorium; 131 St. John Ave, Pasadena, CA 91123
  • Cost: Tickets start at $35.00
  • Parking: Valet on Green Street, $10 general parking available adjacent to the theater in Maranatha parking lots.
  • Full Program: Wagner Dawn and Siegfried’s Rhine Journey from Götterdämmerung, Strauss Four Last Songs, Dvorak Symphony No. 8
  • Pre-Concert Conversation: Pasadena Symphony Association’s CEO Paul Jan Zdunek visits with Guest Conductor Michael Stern about the program, his musical journey and much more an hour before each concert (1 pm and again at 7 pm on stage at Ambassador Auditorium).

ABOUT CHRISTINE BREWER
Grammy Award-winning American soprano Christine Brewer’s appearances in opera, concert, and recital are marked by her own unique timbre, at once warm and brilliant, combined with a vibrant personality and emotional honesty reminiscent of the great sopranos of the past. Her range, golden tone, boundless power, and control make her a favorite of the stage as well as a sought-after recording artist.

Highlights of Brewer’s 2011-12 season include opening the Atlanta Symphony Orchestra’s 67th season with a program featuring Beethoven’s Ninth Symphony and the Immolation scene from Wagner’s Götterdämmerung. A “superlative Strauss singer” (New York Times), she also looks forward to singing the German composer’s Four Last Songs with the St. Louis Symphony under David Robertson, besides featuring his music alongside that of Marx, Thomson, Ives, and Smith in recital with pianist and frequent collaborator Craig Rutenberg, at New York’s Alice Tully Hall.

The soprano’s numerous 2010-11 season highlights included performances of Beethoven’s Missa solemnis with both the Atlanta Symphony Orchestra under Donald Runnicles and the San Francisco Symphony with Michael Tilson Thomas, as well as Janácek’s Glagolitic Mass with the Toronto and Chicago Symphonies led by James Conlon. She reprised Mahler’s Symphony No. 8 with the Royal Concertgebouw and Detroit Symphony under Mariss Jansons and Leonard Slatkin respectively, besides performing Mahler’s Symphony No. 2 and Barber’s Prayers of Kierkegaard with David Robertson and the St. Louis Symphony. She was also the featured soloist for the New York City Opera’s opening night gala.

An avid recitalist, Brewer has graced such prestigious venues as Carnegie’s Zankel Hall, London’s Wigmore Hall, Oberlin Conservatory, the Friends of Chamber Music, Washington DC’s Vocal Arts Society, and many others. She has appeared in Lincoln Center’s “Art of the Song” series at Alice Tully Hall, the Boston Celebrity Series, and at the Kennedy Center in Washington DC, Atlanta’s Spivey Hall, California’s Mondavi Center, and Amsterdam’s Concertgebouw. Her unique voice has also been featured at the Gilmore, Ravinia, and Cleveland Art Song festivals.

On the opera stage, Brewer is highly regarded for her striking portrayal of the title role in Strauss’s Ariadne auf Naxos, which she has performed with the Metropolitan Opera, Opéra de Lyon, Théatre du Chatelet, Santa Fe Opera, English National Opera, and Opera Theater of St. Louis. Attracting glowing reviews with each role, the soprano has performed Wagner’s Tristan und Isolde at San Francisco Opera, Gluck’s Alceste with Santa Fe Opera, the Dyer’s Wife in Strauss’s Die Frau ohne Schatten at Lyric Opera of Chicago and the Paris Opera, and Lady Billows in Britten’s Albert Herring at Santa Fe Opera. She is also celebrated for her work on lesser-known operas such as the title roles in Gluck’s Iphigénie en Tauride with the Edinburgh Festival, the Rio de Janeiro Opera, and Madrid Opera and Strauss’s Die ägyptische Helena with the Santa Fe Opera.

Brewer has worked with many of today’s most notable conductors, including Pierre Boulez, James Conlon, Sir Colin Davis, Christoph von Dohnányi, Christoph Eschenbach, Valery Gergiev, Alan Gilbert, Lorin Maazel, Sir Charles Mackerras, Kurt Masur, Zubin Mehta, Antonio Pappano, Yannick Nézet-Séguin, Sir Simon Rattle, Esa-Pekka Salonen, Robert Shaw, and Jaap van Zweden. Frequently sought after to sing the great symphonic works of Mozart, Brahms, Verdi, Mahler, Beethoven, Strauss, Wagner, Janácek, and Britten, she has sung with the philharmonics of New York and Los Angeles, and the orchestras of Cleveland, Philadelphia, Washington D.C., St. Louis, San Francisco, Boston, and Dallas. In Europe, the soprano counts the Orchestra of the Age of Enlightenment, London Symphony Orchestra, BBC Symphony Orchestra and Philharmonic, London Philharmonic, City of Birmingham Symphony Orchestra, Academy of St. Martin-in-the-Fields, Scottish Chamber Orchestra, Staatskapelle Berlin, Gewandhaus Leipzig, Orchestre de Paris, and Toulouse Orchestra as regular partners. In addition, she has made appearances with the Malaysia Philharmonic, New World Symphony, and Toronto Symphony. The versatile artist has also been invited to perform for such special engagements as the re-opening of Covent Garden with Plácido Domingo for TRH the Prince of Wales and Duchess of Cornwall, a concert of Handel with the Chamber Music Society of Lincoln Center, and a gala performance of Górecki’s Third Symphony with the Atlanta Symphony Orchestra and long-time collaborator Runnicles.

Brewer’s recordings include a contribution to Hyperion’s prestigious Schubert series with pianist Graham Johnson; the Janácek Glagolitic Mass and Dvorák Te Deum with Robert Shaw and the Atlanta Symphony Orchestra (Telarc); Dvorák’s Stabat Mater (Naxos); and two recital recordings entitled “Saint Louis Woman” and “Music for a While,” produced and released by Opera Theatre of St. Louis. Recent releases include a live recital disc from Wigmore Hall (Koch); Strauss’s Four Last Songs with the “Liebestod” from Tristan und Isolde, Strauss’s Opera Scenes, and Mozart’s Requiem with Runnicles and the Atlanta Symphony (Telarc); Fidelio in German with Sir Colin Davis and the London Symphony Orchestra (LSO Live); Barber’s Vanessa with the BBC Symphony (Chandos) and the Grammy Award-winning Bolcom Songs of Innocence and Experience (Naxos), both conducted by Leonard Slatkin; Mahler’s Symphony No. 8 with Sir Simon Rattle conducting the City of Birmingham Symphony Orchestra (EMI); a disc of lieder for Hyperion’s new Richard Strauss series with pianist Roger Vignoles; Fidelio in English and “Great Operatic Arias” with the London Philharmonic (Chandos); and Britten’s War Requiem with the London Philharmonic and Kurt Masur (LPO Live).

ABOUT MICHAEL STERN
Conductor Michael Stern is in his seventh season as music director of the Kansas City Symphony, hailed for its remarkable artistic growth and development since his tenure began. The Symphony and Stern concluded their first year together by making a recording for the Naxos label which was released in 2007. They have released two CDs on the Reference Recordings Label Britten’s Orchestra with orchestral works of Benjamin Britten, and The Tempest, with music by Sullivan and Sibelius inspired by Shakespeare’s play, both released to critical acclaim and the Britten album winning a Grammy in 2011.

Mr. Stern is also founding artistic director and principal conductor of the IRIS Orchestra in Germantown, Tennessee. Other past positions include a tenure as the chief conductor of Germany’s Saarbrücken Radio Symphony Orchestra (the first American chief conductor in the orchestra’s history), Principal Guest Conductor of the Orchestre National de Lille, and as permanent guest conductor of the Orchestre National de Lyon in France, a position which he held for five years.

Stern has led orchestras throughout Europe and Asia, including the London Symphony, London Philharmonic, Royal Stockholm Philharmonic, Beethovenhalle Orchestra in Bonn, Budapest Radio Symphony Orchestra, Israel Philharmonic, Moscow Philharmonic, National Symphony of Taiwan, Tokyo’s NHK Symphony and the Vienna Radio Symphony’s tour of China.

In North America, Stern has conducted the New York Philharmonic, Chicago Symphony, Cleveland Orchestra, Pittsburgh Symphony, St. Louis Symphony, Atlanta Symphony, Houston Symphony, Baltimore Symphony, Philadelphia Orchestra, Toronto Symphony, Cincinnati Symphony, Seattle Symphony, Montreal Symphony, Indianapolis Symphony, and the National Symphony in Washington, D.C. He also appears regularly at the Aspen Music Festival and has served on the faculty of the American Academy of Conducting at Aspen.

Stern received his music degree from The Curtis Institute of Music in Philadelphia, where his major teacher was the noted conductor and scholar Max Rudolf. Stern coedited the third edition of Rudolf’s famous textbook, The Grammar of Conducting, and also edited a new volume of Rudolf’s collected writings and correspondence. Stern is a 1981 graduate of Harvard University, where he earned a degree in American history.